Nothing Feels Good: Punk Rock, Teenagers, and Emo
(eBook)

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Published
St. Martin's Publishing Group, 2003.
Format
eBook
ISBN
9781466834927
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Andy Greenwald., & Andy Greenwald|AUTHOR. (2003). Nothing Feels Good: Punk Rock, Teenagers, and Emo . St. Martin's Publishing Group.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Andy Greenwald and Andy Greenwald|AUTHOR. 2003. Nothing Feels Good: Punk Rock, Teenagers, and Emo. St. Martin's Publishing Group.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Andy Greenwald and Andy Greenwald|AUTHOR. Nothing Feels Good: Punk Rock, Teenagers, and Emo St. Martin's Publishing Group, 2003.

MLA Citation, 9th Edition (style guide)

Andy Greenwald, and Andy Greenwald|AUTHOR. Nothing Feels Good: Punk Rock, Teenagers, and Emo St. Martin's Publishing Group, 2003.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDaf61bf8f-7e36-a30e-a708-cecf7c008171-eng
Full titlenothing feels good punk rock teenagers and emo
Authorgreenwald andy
Grouping Categorybook
Last Update2024-05-14 23:01:27PM
Last Indexed2024-05-25 02:26:58AM

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Image Sourcesyndetics
First LoadedMay 22, 2023
Last UsedMay 21, 2024

Hoopla Extract Information

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    [synopsis] => Nothing Feels Good: Punk Rock, Teenagers, and Emo tells the story of a cultural moment that's happening right now-the nexus point where teen culture, music, and the web converge to create something new.

While shallow celebrities dominate the headlines, pundits bemoan the death of the music industry, and the government decries teenagers for their morals (or lack thereof) earnest, heartfelt bands like Dashboard Confessional, Jimmy Eat World, and Thursday are quietly selling hundreds of thousands of albums through dedication, relentless touring and respect for their fans. This relationship - between young people and the empathetic music that sets them off down a road of self-discovery and self-definition - is emo, a much-maligned, mocked, and misunderstood term that has existed for nearly two decades, but has flourished only recently. In Nothing Feels Good, Andy Greenwald makes the case for emo as more than a genre - it's an essential rite of teenagehood. From the '80s to the '00s, from the basement to the stadium, from tour buses to chat rooms, and from the diary to the computer screen, Nothing Feels Good narrates the story of emo from the inside out and explores the way this movement is taking shape in real time and with real hearts on the line. Nothing Feels Good is the first book to explore this exciting moment in music history and Greenwald has been given unprecedented access to the bands and to their fans. He captures a place in time and a moment on the stage in a way only a true music fan can.
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