Part 1. Beethoven and the heroic style, I -- Beethoven and the heroic style, II -- Beethoven and the heroic style, III -- Beethoven and the heroic style, IV -- Symphony no. 1 : Beethoven as classicist--tradition and innovation, I -- Symphony no. 1 : Beethoven as classicist--tradition and innovation, II -- Symphony no. 2 : Beethoven at the edge, I -- Symphony no. 2, Beethoven at the edge, II --
Part 2. Symphony no. 3, the "new path"--heroism and self-expression, I -- Symphony no. 3 : the "new path"--heroism and self-expression, II -- Symphony no. 3, the "new path"--heroism and self-expression, III -- Symphony no. 3, the "new path"--heroism and self-expression, IV -- Symphony no. 4, consolidation of the new aesthetic, I -- Symphony no. 4, consolidation of the new aesthetic, II -- Symphony no. 4, consolidation of the new aesthetic, III -- Symphony no. 4, consolidation of the new aesthetic, IV --
Part 3. Symphony no. 5, the expressive idea fully formed, I -- Symphony no. 5, the expressive idea fully formed, II -- Symphony no. 5, the expressive idea fully formed, III -- Symphony no. 6, the symphony as program, I -- Symphony no. 6, the symphony as program, II -- Symphony no. 6, the symphony as program, III -- Symphony no. 7, the symphony as dance, I -- Symphony no. 7, the symphony as dance, II --
Part 4. Symphony no. 8: homage to classicism, I
Symphony no. 8: homage to classicism, II
Symphony no. 8: homage to classicism, III
Symphony no. 9: the symphony as the world, I
Symphony no. 9: the symphony as the world, II
Symphony no. 9: the symphony as the world, III
Symphony no. 9: the symphony as the world, IV
Symphony no. 9: the symphony as the world, V.